“I try to find a logic for whatever the set is and somehow I felt it was wrong for [Shell Cottage] to be too whimsical, too fanciful. So this cottage has a logic. If you really wanted to build a house on the beach, what would you do? Well, you would use local materials. And the local materials would be either rocks or seashells. The walls are huge oyster shells and the roof is made of big scallop shells. You can see how scallop shells can lend themselves to overlapping and shedding water. I was kind of pleased with the logic underlying the structure that we had found there.” -Production designer Stuart Craig on his approach to the set design for Harry Potter and the Deathly Hallows: Part 2.
Head over to Architectural Digest to read more of Stuart’s insights into the designing of the film.
![“I try to find a logic for whatever the set is and somehow I felt it was wrong for [Shell Cottage] to be too whimsical, too fanciful. So this cottage has a logic. If you really wanted to build a house on the beach, what would you do? Well, you would use local materials. And the local materials would be either rocks or seashells. The walls are huge oyster shells and the roof is made of big scallop shells. You can see how scallop shells can lend themselves to overlapping and shedding water. I was kind of pleased with the logic underlying the structure that we had found there.” -Production designer Stuart Craig on his approach to the set design for Harry Potter and the Deathly Hallows: Part 2.
Head over to Architectural Digest to read more of Stuart’s insights into the designing of the film.](http://24.media.tumblr.com/tumblr_lofluyaIbV1qg2x3jo1_500.jpg)

![Director David Yates’ Letter to Movie Theater Projectionists on How Best To Show HARRY POTTER AND THE DEATHLY HALLOWS: PART 2
[See More: Letters | Harry Potter]](http://24.media.tumblr.com/tumblr_lo6jmawNZR1qz8vumo1_500.jpg)